It’s a good idea to import Tarantino’s movie making style mixed with the style from “Blair Witch Project”/ “Paranormal Activity” to set a new dimension in Bollywood movie making. The problem is, handling such a task needs an understanding of Indian audience. Dibakar Banerjee has made a wonderful attempt to bring out a new dimension in movie making with his movie “Love,Sex aur Dhoka” but the representation lacks the sensitivity of putting forward a critical social issues taken up in the movies.
One can argue its reality shown at point blank. I agree to this but what’s the whole of showing them? Does this movie serve the purpose of raising social awareness? No. Is this a “Paisa Vasool” movie? No. So if the movie is neither social nor entertainment then why make this movie at all?
This movie has 3 distinct real life stories shot in cam coder mode showing three independent interrelated stories to bring the concept of Love,Sex and Dhoka as applicable to modern world. The first story deals with honor killing. The second one deals with voyeurism and pornography while the third one deals with exploitation in entertainment industry juxtaposed with sting operation.India has read these stories in some form or other in recent past and the movies just brings it out in celluloid screen.
Director Dibakar Banerjee has made a wonderful attempt to bring out a new idea to bollywood film making. If you really want to watch the movie then go with an open mind to experience something new. Whether you will like the new thing or not will be entirely your discretion. As for me I am yet to decide whether to love it or hate it.
No comments:
Post a Comment